Suchit Sahni: July 2013

Friday, July 19, 2013

Delhi Times (Times Of India) 18-07-2013

Monday, July 15, 2013

"TAD ARTS ANNUAL - 2013" Group show with TAD Arts from 26th to 31st July 2013 @ Visual Arts Gallery, India Habitat Centre, New Delhi

For more details contact :

TAD Arts Private Limited

# E-27, Lower Ground Floor, Masjid Moth, GK III, New Delhi - 110048
# 17, Paschim Marg, DLF Phase 1, Gurgaon - 122002
T: +91 11 4053 4178 09810042497
Email: info@tadarts.in

Website: http://tadarts.in

"VARSHA SHARDA - 2013" Group show with Gallerie Nvya @ Gallerie Nvya Art Walk, Reserve Lounge, Terminal 1-D, IGI Airport, New Delhi, from 14th July, 2013 to 16th November, 2013

Gallerie Nvya

# 101-103 Square One Designer Arcade, C-2, District Center, Saket, New Delhi- 110017 T:+91 1129564333 | M:+91 9717966481
# A-29, Friends Colony(East), New Delhi-110065 T:+91 1141326119
Email : mail.nvya@gmail.com, gallerienvya@gmail.com
Website : http://www.gallerienvya.com

Friday, July 12, 2013

"Collectors Weekend" Group show with STUDIO ART @ Lado Sarai, 12th to 15th July 2013

STUDIO ART

F 213/A ,LADO SARAI,

NEW DELHI-110030
Ph: +91-11-40538692
E-mail: info@studioart.org.in, gallerystudioart@gmail.com
Website: www.studioart.org.in

Registration, interpretation and chronicling are the modes in which Suchit Sahni(Self Taught Artist) interprets the city of Delhi as he understands it. Suchit considers himself as a stealer of city images and for him, an artist keeps plundering the vast treasure troves of images both hidden and apparent in a city’s body. And also he believes that the artist behaves like a contemporary Robin Hood, who gives the rich images back to the society with a deserving dividend. True to his philosophy, Suchit moves around the city of Delhi (and also many other cities that according to him impart the ‘feel’ of an India in transition) and from his moving car, he captures images from those places which had made an impression on his mind during his growing up years. These photographs that Suchit presents in this show both as an installation and a video projection, supply the artist with the primary sketches.

It is interesting to see how Suchit considers these photographs as a ‘starting point’. In artistic terms, he calls them ‘drawings’. Every time an artist approaches his canvas he has a set of mental or actual drawings with him; these doodles or lines provide them with the basic blue print for further alterations and manipulations on the real canvas. Even a random comparison between the photographs that function as Suchit’s drawings with the final works in the display would reveal that in none of these paintings the artist transfer the same image as seen in the photographs. Through his double manipulation on the drawings he yields not only a new image but also a new reality, which is apparently experiential and for the viewer, true reminders of their own lived/living experiences now mediated through colors, forms and rhythmic movements.

Suchit, in his works, invests his energies in two ways; one, he likes to live the city nostalgically and see how the city changes before his eyes even when some parts of it resist the change, leaving certain reminders of the past intact for the people to witness. Two, Suchit, as an artist, goes beyond the urges to realize the apparent instead, he wants to transcend it through imparting an intimate sense of abstraction. While the images of a tonga (horse driven carriage), scooter, old vans and cars, forts and so on stand evidence to the former stance of the artist, the distance of perception that he demands from the viewer exemplifies the abstract values that he invests in the images. As the viewer goes closer to the paintings, the images dissipate to reveal a riot of colors and forms. Suchit, within his paintings re-invents the same physical aspects of understanding a city through body adjustments within the actual urban sites.

JohnyML

http://johnyml.blogspot.com/

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